David T. Chastain
-Rock Solid Guitar-

Like most adolescent boys growing up in the mid-eighties, I was drawn to superstar guitar players like Eddie Van Halen, Steve Vai, Joe Satriani and Yngwie Malmsteen, technically astounding musicians that could make the guitar burst into flames with a mere touch. There always seemed to be a steady stream of "the next greatest", some hotshot kid on a poorly distributed independent label that Tim at the Wooden Nickel Collectors store would tenaciously track down if you had the money and the patience. One name that often surfaced in these lists of guitar greats, and one that never presented itself when I had available funds or patience, is David Chastain. Now that the testostertone no longer courses through my veins at levels high enough to grow facial hair on a smurf, I finally have a chance to hear this guitar legend. While it is my understanding that many of his past releases are intense, hyper-fast experiences in shredding, Rock Solid Guitar is nine tracks of good old-fashioned mid-tempo, kick-back-with-a-beer blues based rock and roll. Presented in a bare bones bass (Steven Taylor), drums (Mike Haid) and lone, non-overdubbed guitar (Kramerů as played by Chastain), the nine tracks allow Chastain to showcase his improvisational skills. For the most part, these instrumentals were recorded with little planning, allowing the power-trio to perform as the music came to them. While sticking to the blues-based rock sound, there is still quite a bit of variety. For instance, "Keeper Of Tomorrow" integrates Haids jazz fusion background with the blues guitar, creating some great opportunities for soloing. "Hats Off to Angus and Malcom" is, of course, a tribute to the music of AC/DC and appropriately is full of bad boy boogie. Sporting some really great guitar tones, "Riding In Style" is a straight-ahead blues rocker in the manner of Stevie Ray Vaughn. Speaking of Steve's, Steve Vai also gets the nod on "Sounds Cool To Me", a slower track that allows Chastain to explore some hard rock territory. And what rock album would be complete without a rousing song about the weekend? "Getting A Little Crazy", with its "Saturday night in a small club" feel, definitely fits the bill. All told, this sizzling release showcases the talents of one of rock's most talented guitarists with nine hot instrumentals guaranteed to satisfy your rock blues cravings.

This review first appeared in WhatzUp, November 2001.